Linkin Park legend Mike Shinoda has recently interviewed by Spin Magazine’s Chris Harris and shared what he thinks about American alternative metal band Deftones’ iconic album ‘Adrenaline’ for the first time ever.
As Mike spread great words about Adrenalin, as well as the other classic of the band named Around The Fur, he also admitted that ‘A Place For My Head’ would never exist if they did not inspire by the unique sound and style of Deftones.
Here is what Shinoda told to Spin Magazine:
“I heard the first album, Adrenaline, from a friend when I was in high school; he bought the CD. I liked that album, but I liked Around the Fur even more. I think everyone who was following what the band was doing was really excited to see what would come next.
Deftones just has such a unique sound and aesthetic, and White Pony was the album that took such a big step up in terms of communicating who the band was.
Chino’s sense of eerie and unconventional melody, the band’s technical chops, and the engineering and production all felt really innovative and fresh when it came together. Nobody was making anything that sounded like that, and when people did, you could tell they were inspired by Deftones.”
While showing his respect and admiration to the sound of Deftones, Mike also praised the smoothness of their guitar skills. And here are the rest of the words of Shinoda about Deftones:
“We wouldn’t have written a song like “A Place for My Head” if not for them. There was a bounce to their music that reminded me of my favorite hip-hop songs. And even though the guitars were super heavy, oftentimes they felt smooth like a keyboard, as if the distortion had flattened it so much it was just a wash of chords.
White Pony was one of the few albums I was into where I barely knew any of the words. They felt like estimations of lyrics, to me — really abstract and intuitive. I probably still think some of the lyrics say things they don’t say. But isn’t that the beauty of music? A listener’s experience with it can be such an integral part of the song, that it takes over the song’s actual intention or meaning.”
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