Legendary guitarist Yngwie Malmsteen made controversial statements about his early career work in an interview with Chris Akin Presents. The Swedish virtuoso asserted ownership of his Alcatrazz work as solo material, creating potential tensions with former bandmates.
“The thing is that, me as a creator, and you’ve gotta also remember this — I don’t know how to say this; I try to say it in many different ways — I am a solo artist since January 1984,” Malmsteen stated. “I even consider the Alcatrazz album a solo album.”
“I wrote everything on that too,” he continued. “But Steeler, for instance, I wrote, like, maybe two songs. That was definitely not my thing. But the thing is, everything I did since January 1984 has been my solo albums.”
“Having said that, there was a period, couple of small periods — I’d say late ’80s maybe — where there was some distractions, some bad things going on,” he added. “And then I let the reins go a little bit.”
Malmsteen’s statements have reignited discussions about creative ownership and artistic contributions in metal music.
Early Success With Alcatrazz

Documentation from Alcatrazz’s official biography highlights the significance of the band’s 1983 debut album, ‘No Parole from Rock ‘n’ Roll.’ The record showcased Malmsteen’s distinctive guitar work and songwriting abilities.
MTV’s support amplified the album’s success through regular airplay of videos like ‘Island in the Sun’ and ‘Hiroshima Mon Amour.’ The album maintained its presence on the U.S. charts for 18 weeks.
Creative Evolution

Music journalist Jas Obrecht documented Malmsteen’s transition from Steeler to Alcatrazz in 1983. The guitarist’s role in Steeler remained limited to two songwriting credits.
This creative limitation in Steeler contrasted sharply with his later position in Alcatrazz, where he now claims full creative ownership.
Band Dynamics And Tensions

Blabbermouth revealed significant creative tensions during Malmsteen’s time with Alcatrazz. His relationship with vocalist Graham Bonnet became particularly strained, leading to his eventual departure.
The complex dynamics between Malmsteen and his former bandmates persist today. His recent claims about creative ownership may reopen wounds from this turbulent period.