Ignacia Fernández, a Miss World Chile 2025 semifinalist and founder of the progressive death metal band Decessus, delivered a standout moment during the competition by performing a death metal piece in the talent segment, according to Agencia Periodismo Investigativo.
Her choice broke from the traditional expectations of pageant performances and highlighted her roots in the metal scene. By showcasing original material from her band, she brought an unexpected surge of energy to the semifinals. Formed in 2020, Decessus has become known for its modern death metal sound, earning a solid reputation in Chile’s metal community and even appearing at festivals in Finland.
Fernández took the stage with guitarist Carlos Palma, emphasizing the collaborative nature of the group. This moment signaled a shift in how pageant contestants are increasingly redefining what it means to participate, choosing to present their authentic artistic identities instead of sticking to conventional talent norms.
According to Last.fm, Decessus has cemented its place within Chile’s metal scene by blending progressive influences with classic death metal instrumentation. The band’s origins during the pandemic reflect how musicians continued to create and evolve despite global disruptions. Their presence has expanded internationally through festival performances and online visibility.
Metal Archives points out that Ignacia Fernández balances the worlds of pageantry and metal music, placing her in a unique position across both industries. Competing in Miss World Chile 2025 while embracing her identity as a death metal vocalist challenges long-held assumptions about who pageant contestants can be and what artistic paths they may pursue.
Her performance has drawn attention for boldly diverging from traditional pageant talent showcases. It serves as a reminder of the range of interests today’s contestants bring to these stages. As reported by 2 Oceans Vibe, the moment resonated with many viewers who admired the authenticity and bravery behind presenting a niche genre in such a public and mainstream setting. The performance reflects a broader cultural transition in which pageants are becoming spaces for genuine self-expression rather than rigid expectations.
You can watch the performance via YouTube.
